The Shooting of Dan McGrew

A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a rag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o’-love, the lady that’s known as Lou.

When out of the night, which was fifty below, and into the din and glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger’s face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.

There’s men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he’d do,
And I turned my head — and there watching him was the lady that’s known as Lou.

His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway,
Then he clutched the keys with his talon hands — my God! but that man could play.

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could hear;
With only the howl of a timber wolf, and you camped there in the cold,
A helf-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow, and red, the North Lights swept in bars? —
Then you’ve a hunch what the music meant . . . hunger and might and the stars.

And hunger not of the belly kind, that’s banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowded with a woman’s love —
A woman dearer than all the world, and true as Heaven is true —
(God! how ghastly she looks through her rouge, — the lady that’s known as Lou.)

Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil’s lie;
That your guts were gone, and the best for you was to crawl away and die.
‘Twas the crowning cry of a heart’s despair, and it thrilled you through and through —
“I guess I’ll make it a spread misere,” said Dangerous Dan McGrew.

The music almost dies away . . . then it burst like a pent-up flood;
And it seemed to say, “Repay, repay,” and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill . . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;

In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And “Boys,” says he, “you don’t know me, and none of you care a damn;
But I want to state, and my words are straight, and I’ll bet my poke they’re true,
That one of you is a hound of hell . . . and that one is Dan McGrew.”

Then I ducked my head and the lights went out, and two guns blazed in the dark;
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that’s known as Lou.

These are the simple facts of the case, and I guess I ought to know.
They say that the stranger was crazed with “hooch,” and I’m not denying it’s so.
I’m not so wise as the lawyer guys, but strictly between us two —
The woman that kissed him — and pinched his poke — was the lady known as Lou.

The Wayfarer

The beauty of the world has made me sad.
This beauty that will pass.

Sometimes my heart has shaken with great joy
To see a leaping squirrel on a tree
Or a red ladybird upon a stalk.

Or little rabbits, in a field at evening,
Lit by a slanty sun.

Or some green hill, where shadows drifted by,
Some quiet hill,
Where mountainy man has sown, and soon will reap,
Near to the gate of heaven.

Or little children with bare feet
Upon the sands of some ebbed sea,
Or playing in the streets
Of little towns in Connacht.

Things young and happy.

And then my heart has told me –
These will pass,
Will pass and change,
Will die and be no more.

Things bright, and green.
Things young, and happy.

And I have gone upon my way, sorrowful.

 

-Padraic Pearse

An Old Woman of the Roads

O, to have a little house!
To own the hearth and stool and all!
The heaped up sods against the fire,
The pile of turf against the wall!

To have a clock with weights and chains
And pendulum swinging up and down!
A dresser filled with shining delph,
Speckled and white and blue and brown!

I could be busy all the day
Clearing and sweeping hearth and floor,
And fixing on their shelf again
My white and blue and speckled store!

I could be quiet there at night
Beside the fire and by myself,
Sure of a bed and loth to leave
The ticking clock and the shining delph!

Och! but I’m weary of mist and dark,
And roads where there’s never a house nor bush,
And tired I am of bog and road,
And the crying wind and the lonesome hush!

And I am praying to God on high,
And I am praying Him night and day,
For a little house – a house of my own
Out of the wind’s and the rain’s way.

 

-Padraic Colum

Raglan Road

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion’s pledge,
The Queen of Hearts still making tarts and I not making hay
O I loved too much and by such by such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that’s known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say,
With her own name there and her own dark hair like clouds over fields of May.

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay –
When the angel woos the clay he’d lose his wings at the dawn of day.

 

-Patrick Kavanagh

 

Mid-term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o’clock our neighbours drove me home.
In the porch I met my father crying
He had always taken funerals in his stride
And Big Jim Evans saying it was a hard blow.
The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand
And tell me they were ‘sorry for my trouble,’
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand
In hers and coughed out angry tearless sighs.
At ten o’clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.
Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,
Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.
A four foot box, a foot for every year.

-Seamus Heaney

The Lake Isle of Innisfree

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean rows will I have there, a hive for the honey bee,
And live alone in the bee loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

 

-W.B. Yeats

Jabberwocky

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

‘Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!’

He took his vorpal sword in hand:
Long time the manxome foe he sought —
So rested he by the Tumtum tree,
And stood a while in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One two! One two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

‘And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
Oh frabjous day! Callooh! Callay!’
He chortled in his joy.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

 

-Lewis Carroll

A Dream Within a Dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

 

-Edgar Allan Poe

Richard Cory

Whenever Richard Cory went down town,
We people on the pavement looked at him;
He was a gentleman from sole to crown,
Clean favored, and imperially slim.

And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
“Good-morning,” and he glittered when he walked.

And he was rich – yes, richer than a king,
And admirably schooled in every grace;
In fine, we thought that he was everything
To make us wish that we were in his place.

So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.

 

-Edwin Arlington Robinson

La Cigale et la Fourmi

La cigale ayant chanté
Tout l’été,
Se trouva fort dépourvue
Quand la bise fut venue :
Pas un seul petit morceau
De mouche ou de vermisseau.
Elle alla crier famine
Chez la fourmi sa voisine,
La priant de lui prêter
Quelque grain pour subsister
Jusqu’à la saison nouvelle.
« Je vous paierai, lui dit-elle,
Avant l’août, foi d’animal,
Intérêt et principal. »
La fourmi n’est pas prêteuse :
C’est là son moindre défaut.
« Que faisiez-vous au temps chaud ?
Dit-elle à cette emprunteuse.
— Nuit et jour à tout venant
Je chantais, ne vous déplaise.
— Vous chantiez ? J’en suis fort aise :
Eh bien ! Dansez maintenant. »
-Jean de La Fontaine

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